Alfonso Adan
Musician | Composer | Educator | Recording Artist
Discrepancy - Bird's Eye-View
Bird's Eye-View
Siho Chang Solo Exhibition May 18, 2021 ~ May 30, 2021
Music written by: Alfonso Adan
P&C Total Gallery
71-1 Samcheong-ro Jongno-gu, Seoul, South Korea
Live Performances
2025
Bio
Alfonso Adán
Musician | Composer | Educator | Recording Artist
Alfonso Adán is a multifaceted guitarist, composer, educator, and recording artist whose career spans over three decades of artistic and academic excellence. Since beginning his musical journey in 1988, Alfonso has cultivated a deep and enduring commitment to the guitar, performance, and musical innovation.
Education
Doctor of Musical Arts, in Jazz. Stony Brook University, New York, 2025
Master of Music in Jazz Performance, New York University, New York 2018
Bachelor of Music in Jazz Performance, Berklee College of Music, Boston, MA 2008
Degree in Classical Performance, Classical Conservatory of Spain, 2002
Professional Experience
Alfonso has been actively involved in a wide range of musical projects as both a leader and a sideman. His extensive experience in live and studio settings spans diverse genres, highlighting his artistic versatility and creative vision. His performances reflect a fusion of classical technique, jazz fluency, and contemporary innovation, establishing his unique voice in today’s music landscape.
Mentorship & Influences
Alfonso has studied with an exceptional roster of world-renowned musicians and scholars who have profoundly influenced his artistic development.
Musical Mentors:
Bret Willmott, Wayne Krantz, Rick Peckham, Drew Gress, Andy Milne, Adam Rogers, Daniel Ian Smith, Steve Rochinski, Barry Nettles, Kenny Werner, John Scofield, Alan Ferber, Dave Pietro, Billy Drewes, and Martin Ehrlich.
Academic Mentors:
Dr. Judith Lochhead, Dr. Deborah Heckert, Dr. Kevin Holt, Dr. August Sheehy, Dr. Dave Schroeder, and Ray Anderson.
Doctoral Research
Alfonso’s doctoral work centers on advanced jazz composition and improvisation using geometric shapes as a framework for both writing and performance. His research investigates the historical development of guitar improvisational techniques, harmonic innovation, and pedagogical evolution, focusing on the artistic contributions of influential guitarists.
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